A Tale of Two Gardens
In Fu Wenjun’s solo exhibition: The Old Summer Palace Moves 1,400 kmSouthward,there is a special work in the hall of Please Join us in the Garden. This work involves one mahjong table and on those mahjong tiles there carved letter symbols of the garden. The artist and Chen Mingjie (Director of Yuanmingyuan,Deputy Secretary-General of Yuanmingyuan Institute)did a performance art with this mahjong table. Mahjong as an entertainment has a long history inChina. When people are playing mahjong, tiles need to be constantly shuffle. Fu borrowed this concept of shuffling to interpret his art performance. In this way, the transportation of these cultural relics of stones from Yuanmingyuan toShanghaifor exhibition stands for an act of shuffling.
——cnnews.net
The artist and the director of museum reshuffling the mahjong tiles respectively carved with the Chinese characters “yuan”, “ming”, and “yuan”in its essence is an act of performance art. It is a metaphor for the redistribution and reintegration of the economic, political and cultural power in the world. This behavior artwork works as an examination into the cultural identity of modernChinaand the structure of the global power.Meanwhile, it also represents an effort to illustrate the constitution of the new relationship between orient and the west based on conversation, interdependent and interpenetration. Hopefully, this exhibition can build a link with cultural development ofChongqing, cultivate the local artists’cultural confidence through cultural exchanges, thus promote the prosperity of contemporary arts and culture inChongqing.
——China Photographer Associate
TheOldSummerPalaceruins covered with moss and dust of history encountered the modern laptop and the 2010 World Expo. Photographer Fu Wenjun fromChongqingexpress his own understanding of history in such a special way. With “history”and “thinking”as its creational thread and keynote, the exhibition was compactly arranged, into which a lot of modern elements were added. It also benefited a lot from the adoption of the modern technics: in addition to the 20 paintings on the wall, two ipads continuously projecting the photography works is particularly eye-catchy.
——ChinaPhotographer Association
The theme of the exhibition The World Will marvel at it comes from one of Mao's poems, which means to surprise the world. With the rise of its economy, Chinese people’s confidence increased enormously. Through the juxtaposition of the Old Summer Palace and pavilions of those western countries in EXPO, the artist tries to rebuild the Chinese people’s faith in the revival of their national culture.Meanwhile, the artist bridged the gap between art and history, intergating this historical relic into modern life and modern art, which will obviously ficilitate the transboundry development of knowledge and spread of culture.The curator and artist intentionally choose Chongqing Libaray as the site for exhibition. On the one hand, it will enrich the ecological environment of art in Chongqing.On the other hand, the exhibition of works in such a site of dense cultural atmosphere represents an initiative endeavor to spread interest in modern art.
- FromChina Daily
Exhibitions inChongqingare mostly hosted in Chongqing Art Musuem located in Sichuan Fine Arts Institute and Three Gorges Museum.It is a pity that there are no other locations available for exhibition.The current situation will be unfavorable for the spread and development of modern art inChongqing. Secondly, there is more exchanges in the field of contemporary art, but very little cross-border exchanges, which forms a bad situation for contemporary art. With the vigorous development of contemporary new culture, it needs more people to understand, appreciate, consume contemporary art, in order to truly improve the quality of contemporary life. Fu Wenjun in some extent made a breakthrough to status of theChongqingexhibition systems.
- From Bo Bao Art Network
In the exhibition fifteen stone from the Old Summer Palace will come to Chongqing, the local public will be able to see these interpretation stones which is metaphor for the tragic destruction of the Old Summer Palace. These stones witnessed vicissitudes of the Chinese nation during the past hundred years. It is said that the museum has never lent any treasure since it was established. These stones moved from theOldSummerPalaceto Fu Wenjun ’s exhibition inShanghaifor the first time, then they are transported directly toChongqing.
- FromChinaNews
In his device performance art Divination on The Old SummerPalace, the artist use the soil from theOldSummerPalaceto lay out a picture of Eight Diagrams from the Book of Yi. It symbolizes a prediction of theOld Palace’s future with these stones that has survived the turmoil of history.
- From Photographers Network
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A Tale of Two Gardens
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